Berlinale Series Marketplace Sets Spotlight on Central and Eastern Europe

Berlinale Series Marketplace Sets Spotlight on Central and Eastern Europe

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It boasts one of several TV that is fastest-growing in the world, but who hasn’t fixed misconceptions in terms of Central and Eastern Europe. “ I wish to kill some stereotypes concerning the area,” said Kamila Zlatuskova, creator associated with Serial Killer television Festival in Brno, house indonesian bride Czech Republic, throughout a showcase of local show during the Berlinale Series marketplace on Tuesday.

Zlatuskova said that her travels around television festivals and areas in the last few years had led her to trust that she ended up being located in “an invisible region. There have been no panels, no subjects from Central and Eastern European drama.”

After many years of involved in the industry, including at a pubcaster that is regional Zlatuskova established the Serial Killer television event to alter that. The week-long occasion, which this present year occurs from Sept. 22-27, supplies a platform for increasing talents and hot brand brand brand new show to have experience of industry players from around the world.

“The concept of the festival would be to explore also to market the very best show and talents towards the western, also to educate also to import unique characters, principles and knowledge to your creators, manufacturers, and decision-makers,” said the fest creator.

Talking in Berlin on Tuesday, Zlatuskova painted a portrait of a mostly untapped area extending through the Baltics into the Balkans, from Czech Republic to your Russian Federation—a market of some 350 million customers hungry for high-end content. “This area is quite promising,” she said. “It’s such as a blank page in a guide.”

Modern times have proven that show from Central and Eastern Europe are poised for the breakthrough, because of breakout that is such as HBO Adria’s first Croatian drama, “Success,” and its particular Czech spy drama “The Sleepers” (pictured), along with the Polish cyber-sleuth series “Ultraviolet”—a reveal that screened during the Serial Killer television event in 2018 simply 8 weeks before being found by Netflix.

Storytellers are trying out genres and pressing boundaries. Czech tv had a shock hit just last year with the comedy series “Most!”, a show that forced straight back against stereotypes by featuring minority characters and a transgender lead. In an area that Zlatuskova said nevertheless is affected with too little representation and a cup roof for females, Ukraine’s very first criminal activity noir drama, “Hide and Seek,” is a female-led show with a female in the helm. Another expected series from Ukraine, “Alive,” marks the country’s first TV foray into technology fiction.

The marketplace for worldwide co-productions is ripe, with Zlatuskova pointing towards the excitement throughout the brand new Czech Television series “Rats,” a co-pro that is polish released across European countries this week by Warner Bros. Germany.

She additionally highlighted the rich and mainly untapped skill pool in your community, including Czech showrunner Tomas Hruby (“Burning Bush,” “Wasteland”), Slovak actor and manager Tereza Nvotova (“Conviction”), Estonian author Lauri Lippmaa (“The Deep”), and Ukrainian director Iryna Gromozda and DoP Sergey Krutko (“Hide and Seek”).